This archive spans nearly a decade of image-making—fragments of a practice shaped by landscape, atmosphere, and emotional architecture. The works are organized by year, but not by theme. Some are observational, others constructed. Many carry early traces of the layering methods I now refer to as photographic sfumato—a technique that emerged gradually through painting, digital illustration, graffiti and post-photographic editing.
This is not a portfolio of polished statements. It's a living record: transitional, nonlinear, and in dialogue with the questions that shaped each year.
Independent, Self-Directed Project · 2025 · San Francisco / Spain / Lisbon
This project unfolded across 500+ kilometers on foot, 190 by mountain bike, and around 60 by bus, beginning in the French Pyrenees at Saint-Jean-Pied-de-Port and finishing in Santiago de Compostela. While it followed the Camino de Santiago route, it was not conceived as a pilgrimage but as an artistic challenge: to create under pressure, with only what I could carry, guided by the simple rule — sixty seconds to notice, decide, and commit.
Originally intended to be shot on a professional camera, the project shifted when I chose to leave heavier equipment behind. Instead, I relied entirely on an iPhone 15 Pro, embracing the belief that the best camera is the one you have in the moment of inspiration. This decision reframed the project as an exercise in endurance and restraint, forcing me to respond quickly to the landscapes, light, and fleeting situations encountered along the way.
What emerged were photographs that carry the residue of quick decisions made under honest light — not polished or premeditated, but born from movement, limitation, and the necessity to create wherever I stood.